Compulsion Games doesn't seem to restrict itself when it comes to the types of games it makes, and South of Midnight is certainly no exception. While the game's premise is somewhat common these days, being a third-person Action Adventure with Souls-like combat, the setting couldn't be more unique: set in the deep US South, complete with nods to its culture and history.
Unlike many games in this genre, the combat isn't the main focus of South of Midnight. Very quickly, you'll realize that telling a narrative is what the game is all about, and the gameplay elements merely exist to serve that part.
The story begins with Hazel, our protagonist, and her mother preparing to evacuate from a hurricane. Unfortunately, before they do so, their home is washed away by flood waters, carrying Hazel's mother with it. Thus begins the adventure, with Hazel following the river downstream to find her mother, encountering a strange cast of characters, exploring the culture and history of the American South, and discovering that she has supernatural powers as a "Weaver", someone who can heal wounds of the past.
The themes of the game largely center around the Hoodoo folk religion. Indeed, your main enemies in the game are known as "haints," a term used in the American Deep South to refer to ghosts. Hazel uses her abilities to fight ghosts of the past and heal old wounds. These serve as a sub-story alongside the main plot of finding your lost mother. You will learn about the past, including Hazel's and her mother's, with the events in the past playing out in "ghostly" form. The events are generally not positive ones, given that the whole aim of the game is to heal past trauma. The solid voice acting and themes the game tackles around slavery, relationships, and society serve as interesting side plots that help build up the game's overall atmosphere.
The downside is that the method in which you "heal" these traumas is a little on the repetitive side, beating a wave of enemies, playing out a scene, beating another wave, playing out a scene; this is pretty much the gameplay loop.
As for the combat, while South of Midnight is inspired by Souls-like combat, relying on timing to dodge attacks and only being able to sustain a few hits before death, it is much more forgiving than most games in the genre. Each battle area has a healing point that lets you heal once, and defeating enemies will grant you a small portion of health each.
Sadly, I found the combat somewhat lacking in South of Midnight. It feels less Soul-like and more Soul-lite. Yes, it has the dodge-then-hit mechanics of a Souls-like, which is fun when you time it well and get a perfect dodge, but it misses out on any ability to parry attacks or block. The game airs too much on the easy side to present much satisfaction for defeating enemies, meaning they merely feel like an obstacle to delay the story.
While Hazel is incredibly maneuverable and acrobatic in the platforming sections of the game (as I will get into next), the combat feels much more grounded and static. Given the game's movement mechanics, there could have been a lot more room for faster-paced and more exhilarating combat.
The enemies themselves also aren't particularly interesting. You're mostly fighting the same foes repeatedly, with little variety. By hour 3, you'll have met 3 different enemies, and by this point, you're approaching the game's halfway point. Even without the variety, each enemy behaves uniquely and has their attacks to get used to, so there is some saving grace there.
I can understand now why the game has accessibility options to skip all combat, because it serves little purpose other than to delay the story and provide a slight change of pace from running and jumping.
I also found the camera pretty awkward in combat. The game has a "lock-on" mechanic to fix the camera to an enemy, but I often found myself struggling to get the camera to face where I wanted it to, including out of combat. There are options to disable any sort of camera movement decided by the game, and you might want to look into that if you find it frustrating.
Speaking of Running and Jumping, the platforming is reasonably solid in South of Midnight, compared to the combat. This is just as well because much of the game is spent doing it, possibly more so than combat. Hazel can double-jump and wallrun, and she uses her supernatural abilities to grapple ethereal threads in the sky so she can traverse the swamp (as you do) and glide by summoning a ghostly glider.
At this point, you can probably see why I was disappointed that the game's combat is 90% on the ground and merely involves dodging and counter-attacking your enemies.
I did have a couple of issues with the grappling. The game likes you to have your grapple point on the screen to accept the grapple input, but sometimes that's easier said than done when mid-air, and as mentioned in the combat section, the game's camera can have a mind of its own by default. The platforming also gets repetitive after a little while, as it's mostly the same maneuvers you are doing, and it can be a good solid 15 minutes of platforming in some cases.
Finally, there's the presentation of the game. The Stop-Motion effect of the game definitely divided opinions before the game's launch, and I have to say, it was one of the first things I disabled when I started playing. Sadly, the cutscenes must have it enabled, for whatever reason, but the gameplay itself can have the effect disabled. I feel like this wasn't done brilliantly, and in some cases, it just makes it look like your game is running at a low framerate. The graphics in general are wonderfully nice, though.
Music also plays a big part in South of Midnight, and while the music itself is pretty nice and fits in with the environment, I question the use in certain places. In a fairly tense part of the game, the game chooses to play a rather relaxing piece of jazz music, which didn't fit the vibe that I felt from the game at all at that point in time. However, the actual soundtrack itself is great.
South of Midnight runs pretty well on the Steam Deck. The game defaults to 1280x800 as a resolution, and has good controller support.
Unfortunately, we must aim for a 30 FPS target no matter what settings we choose. The Steam Deck just isn't capable of anything higher. We set all the settings to low except Textures, which we set to Medium, and then upped the TAAU quality from Balanced to Quality, which gives us a decent-looking game. We also use the in-game frame limiter to limit the game to 30 FPS.
The performance holds up well. You should expect a stable 30 FPS for most of the game. I experienced drops to 27 or 28 FPS in a couple of combat areas, but it wasn't a huge issue.
There is an environment halfway through the game that completely tanks the performance, dropping it below 20 FPS in combat. There isn't much we can do about it; even the lowest settings don't hold 30 FPS, so you just need to grin and bear it for this portion of the game, which is only about 10-15 minutes long.
The power draw varies hugely depending on your area. Some areas, particularly interiors, will hang around 10W, but areas with dense foliage and water can cause the draw to go up to 19W, and temperatures are around 60 °C in quiet areas, going up to 70 °C in busy areas. Expect about 3-3.5 hours of battery life on a Steam Deck OLED and around 2-2.5 Hours on a Steam Deck LCD.
South of Midnight has a lot of accessibility options. For colorblind users, you can change the colors of almost all the UI elements you choose. Text size can be increased, and the size of individual HUD elements can be increased. There are options to help with motion sickness, like disabling camera shake. You can also disable the game's stop motion effect and skip any combat and boss encounters if you want the platforming, story, and nothing else.
The game does feature a large spider-like creature, and there is no arachnophobia mode, so just bear that in mind. It doesn't appear too often, though.
South of Midnight is a game of two halves. The platforming and story aspects hold up pretty well, being, for the most part, interesting and engaging. Sadly, the combat feels like something the developers felt they had to put in but didn't really want to. I'm not sure how the game would have felt without combat, but it is a shame that this portion of the game feels pretty weak.
Steam Deck performance is completely within the realms of being playable. We're stuck at 30 FPS, but the game feels good to play, and you shouldn't worry about buying South of Midnight to play on your Steam Deck.
Our review is based on the PC version of this game.
If you enjoyed this review, be sure to check out the rest of the content on SteamDeckHQ! We have a wide variety of game reviews and news that are sure to help your gaming experience. Whether you're looking for news, tips and tutorials, game settings and reviews, or just want to stay up-to-date on the latest trends, we've got your back.
Dragon Age: The Veilguard was provided by EA for review. Thank you!
To speak of BioWare is to speak of some of the greatest RPGs of all time: Star Wars: Knights of the Old Republic, Mass Effect 2, and Dragon Age: Inquisition. It's also to speak of Mass Effect 3, the epic culmination of Commander Shepherd's grandiose adventures, whereby the narrative direction - specifically more so at the end - caused untold amounts of ire across forums and social media alike. And, finally, it's to speak of Mass Effect: Andromeda and new-IP Anthem, two of the Edmonton-based studio's latest releases, back in 2017 and 2019, respectively. Put plainly, the trust has somewhat dissipated in recent years, and lesser expectations mar any announcement. Enter Dragon Age: The Veilguard, née Dragon Age: Dreadwolf, the long-anticipated follow-up to 2014's aforementioned Dragon Age: Inquisition. Dramaticism aside, the stakes could not be higher - both in Thedas, the world where Dragon Age is set, and for the waning fans back home.
It's imperative to know that the story in The Veilguard takes place 10 years after the revelations at the end of the Trespasser DLC for Inquisition. It was undoubtedly an essential moment in time when Solas, a long-standing ally for the 100-plus hours spent facing what the Breach, a break in the boundary, known as the Veil, between the physical world and the Void, was revealed in the closing moments to be not only a deity but an outright enemy of the player.
Without having experienced that first hand, or even knowing that beforehand, much of The Veilguard's heavier moments will go to waste. Rather, they may do so initially until you find your footing in Thedas as Rook, the player character. With the character creator as impressive and extensive as it is, those first steps into this world in turmoil may take longer than expected.
In a world as rich and inviting as Thedas, it's only natural to have the desire to painstakingly craft your character that will carve their path through the many trials and tribulations that await you, and make no mistake, the tools available are more than capable of getting the job done. An almost overwhelming amount of customisation is here, with arguably some of the best hair ever to grace gaming since the 2013 Tomb Raider reboots or, more recently, Horizon: Forbidden West.
The "standard" assortment of tattoos, body sizes, and whatnot is available, but where The Veilguard is proud to stand out is where it truly matters, regarding inclusivity. Body styles are no longer tied to set pronouns and voices. It's incredible to see such representation, especially in such a high-profile game like this, and it is thankfully just a sliver of the support to come. The narrative also makes sure to be equally inclusive of trans and nonbinary characters, and it feels incredibly genuine and authentic in telling their stories.
Rounding out the character customisation is the standard trio of class tropes being available to choose from - Warrior, Rogue, and Mage - as well as four races: Human, Dwarf, Elf, or Qunari. Lastly, six origin factions determine various influences, conversations, related companions, and, naturally, the ever-important cosmetics much later.
Dragon Age: The Veilguard effortlessly impresses from the moment the campaign starts. The set piece in the opening hour, featuring Solas's attempts to open the previously mentioned Veil and our attempts to stop him, gives one of the better crash courses of RPGs in recent years. With that first set piece being as incredible as it is, it acts as a double-edged sword, where that quality forms a basis for the rest of your adventures. It is not necessarily representative of the stellar narrative, but the quality and consistency of the moment-to-moment writing tend to fluctuate wildly.
As was the case for Inquisition, Solas has some of the most exquisite and impressive lines, delivered beautifully by Gareth David-Lloyd, with gravitas and furthering curiosity unrivalled. Mere moments later, jarring lines grace our ears, with some notable examples being "The gates weren't keeping someone out, it's keeping something in," and the ever-popular "It's quiet... too quiet." While a minor blemish in the grander scheme of things, these otherwise inconsequential moments are far too regular for my liking and do nothing to elicit any response bar a dry, pained chuckle at the sheer gall so blatantly on display.
Thankfully, the gameplay doesn't suffer the same juxtaposing disparities in quality as the writing, and the Level design is a particular high point for the series. The Veilguard focuses on "smaller" instanced areas, smartly moving away from the older entries' open-world design. With such a change being made, it's rare to see an environment devoid of beauty and inspired intricacies in the winding paths and many layers of the ever-changing Crossroads or the moody, rainy city of Minrathous.
Likewise, character design is equally meticulous, from the physical appearance to their individualities. Whilst they start as fully-formed characters, they naturally grow further throughout the main scenario and each eventual tailored side quest. The growth displayed throughout the latter quests is substantial and elevates each character beyond expectations. This expertise is BioWare confidently doing what they do, cranked up to 11, and it's so welcome to see in a genre where caricatured and/or surface-level side characters have become all too commonplace.
Combat has equal levels of personality, although it manages to fumble some of what the individual characters worked tirelessly to achieve in its quest for breadth and an overall unified design principle. Simply put, your companions are left feeling secondary to the encounter. In what can be seen as anything other than an oversimplification of the best parts of Mass Effect and previous Dragon Age titles, the primary emphasis on tactics is sidelined in favor of a more standardized action-focused approach. Unique character skills are somewhat dissipated in their utility when you'll often be firing them off for their priming and chainable abilities, which all characters possess.
Furthermore, your comrades can no longer perish on the battlefield, rendering them mere cannon fodder. Only Rook's health matters, and once they are down, it's game over. The same harmonious relationships forged through dialogue aren't reflected in the synergies found when battling a swathe of fantastical fantasy staples, Lovecraftian monstrosities, and conniving cults, and that's a real shame.
Despite all this, combat remains fluid. It feels like a true 3rd person action romp, parries and all, and very dynamic and challenging. Each of the three class archetypes controls beautifully and has its distinct playstyle, all whilst feeling equally viable across the various combat scenarios you face throughout your 40-hour or so adventure. As is par for the course in Bioware titles, expansive skill trees, both the player character as well as your comrades, allow you to create discernably different builds depending on the path you choose to go down, but the option to select one of three specialisations per class truly brings your Rook into a league of their own.
My favourite throughout my time with the Rogue was the Duelist, initially picked purely for aesthetic and power-fantasy reasons. This specialization focused on nimbly dodging incoming attacks, parrying when a dodge would otherwise fail, and striking at the most opportune moments with dual-wielding blades and looking as dapper as possible. The graceful dance employed by my Duelist would have the chance to be visually gorgeous, too, were it not for the technical limitations imposed by the Steam Deck's hardware.
Dragon Age: The Veilguard is, at its best, a passable and enjoyable experience on Steam's little machine. Out of the box, the frame rate can fluctuate anywhere between the high 20s and low 40s throughout gameplay. Chaotic battles and cutscenes manage to punish the Steam Deck further and force it to the low 20s and even high teens, even with FSR being set at Ultra Performance. This also causes the game to have an unpleasant, almost watercolor aesthetic film over it.
Thankfully, changing the Upsampling method from AMD FSR to Intel XESS and setting it to Performance yields brilliant results compared to the former's output. Likewise, setting the render scale to 80% and the field of view to 90% gives us a few more crucial frames to play with and fundamentally makes the experience run considerably smoother, without having muddied visuals. With these changes, average frame rates are generally within the 35fps - 45fps range, with occasional brief drops sub-30fps. Setting the framerate limit to 30 FPS should keep everything as stable as possible.
It's not to say that any of these changes can make it pleasing to look at by any stretch of the imagination, though. The beauty of Veilguard's distinct visual style is almost lost in translation when played on the Steam Deck, and it does an outright disservice to the magic that BioWare has carefully composed and conducted. Still, stability, above all else, is crucial, and we can achieve such a result with relative ease.
There are next to no changes that can make a noticeable and positive impact on battery life, but with a game that still looks as good as this, it's to be expected. An average 22W draw will drain the OLED model's battery in around 2.5 hours. This could be considered adequate if you're at home or reliably near a charger, but it may not be enough if you're purely on the go.
Thankfully, there's plenty of scope here in Dragon Age: The Veilguard to amend accessibility options. The general portion of the settings contains a camera shake, which is fully adjustable via a slider, color vision deficiency, whether a persistent dot is visible, and an ever-appreciated toggle for disabling UI hold inputs. We can also change the Text Size and Accessibility SFX, which enables "audio cues to provide additional feedback for some visual mechanics", including "incoming attack indicators, target lock-on, and conversation wheels". Similarly, enabling Glint Ping SFX allows spatialised SFX to play at object locations when pressed Up on the D-Pad. Lastly, in the love-it-or-hate-it of modern game visual representations, there is a toggle for whether a Low Health Screen Effect is utilised.
Subtitles are fully customizable, as expected for a game released in 2024. You can tweak Subtitle Visibility, Size, Animation (whether they fade in or out, for example), Color, and Opacity to your heart's content. Lastly, your Steam Deck's vibrations are fully modifiable, with different vibration levels being set across the board or individually for Gameplay-based intensities, Environmental prompts, and Cinematic-focused buzzes. Similarly, the option to enable vibration assist is also present, and it acts as a physical alternative or additive version of the Accessibility SFX audible assist previously mentioned.
It's hard to believe this is the same BioWare many consider to be on the down and out. Dragon Age: The Veilguard is the most confident and masterful display of talent and expertise in their particular craft shown for nigh-on a decade and, with the odd dialogue choice here and there not-withstanding, is as cohesive and coherent as they come. It is everything it sets out to be and so much more: a continuation of the superb ending shown in Dragon Age: Inquisition, a new beginning for the events to come, and, dare I say it, hope for BioWare's future.
Our review is based on the PC version of this game.
If you enjoyed this review, be sure to check out the rest of the content on SteamDeckHQ! We have a wide variety of game reviews and news that are sure to help your gaming experience. Whether you're looking for news, tips and tutorials, game settings and reviews, or just want to stay up-to-date on the latest trends, we've got your back.
The First Berserker: Khazan was provided by NEXON for review. Thank you!
I'm not one for souls-like games, so I was a little nervous going into The First Berserker: Khazan, but I have to say, the fluid gameplay and the feeling of satisfaction that the game can bring you is one of the better feelings I've had playing a video game for a while, which is just as well when it has to counter the frustrations of a souls-like game.
The story follows Khazan, a military general falsely accused of being a traitor and, therefore, imprisoned and exiled. While being transported, he is killed and "resurrected" by a phantom who possesses his body, granting him supernatural powers. You now embark on a quest for revenge against those who betrayed you. The story is decent, and the voice acting, while minimal, also holds up.
However, the main focus of any Souls-like game is the combat, and The First Berserker: Khazan follows a pretty similar formula to games such as Dark Souls. You'll encounter your regular enemies as you progress through a mostly linear world with branching pathways. They will mostly pose as an inconvenience more than anything else, trying to whittle down your health before you reach the next rest point.
Your main concern is the boss battles you'll encounter. As you'd expect in a Souls-like, frequent boss battles occur during the game at key moments in the plot. These battles are far more exciting and put your skills to the test. When your opponent is making combo moves, teleporting around the battlefield, and presenting you with unblockable attacks, you'll have to think on your feet and learn both your enemy's moves and your own weapons.
Your choice of weapon is really important in The First Berserker: Khazan, and it's a good idea to keep yourself familiar with how each one works, as different boss battles can favor one over the other. Spears grant you far greater melee range if you want to keep your distance from your opponent but don't deal huge amounts of damage. Greatswords are slow but can deal a lot of damage and quickly weaken your foe, and Dual Wield is ideal for close combat but can leave you more vulnerable.
Ultimately, the combat feels smooth and fluid; it's satisfying to block or dodge incoming attacks and swiftly punish the enemy, and it's even more satisfying to finally beat that boss after countless attempts. If you can time it correctly, you can also parry attacks, which hurts the boss slightly without draining your stamina. The game skips previously seen cutscenes for bosses, and the save points are well-placed, so if you lose a battle, it's quick to get back into the action.
Your weapon stats are also slightly affected by the abilities you upgrade to. With abilities spread across Vitality, Endurance, Strength, Willpower, and Proficiency, each affects skill with certain types of weapons, as well as changing your other stats such as health, stamina, and combat capabilities. Armor sets can be worn to give buffs to your stats, and there are also skill trees tied to each weapon type, which can increase your effectiveness and grant new combos for you to use in battle. All in all, it creates a pretty deep gear and leveling system that gives us a chance to cater to our playstyle.
The combat feels a bit faster, similar to a hack and slash, but still has the Souls-like formula baked in. Attacks are faster or slower depending on the weapon type you have, and with a combination of abilities to unlock and ranged attacks, Khazan offers a great amount of variety. I especially enjoyed parrying bosses, hearing that satisfying cling of metal, and seeing the boss' health and stun bar go down to make a big attack and get closer to beating them. The bosses all felt unique in mechanics and style, and with the inclusion of gear, the skill tree, and the well-known Souls-like leveling system of gathering currency to increase stats one by one, I found Khazan a hard game to put down.
With regards to the presentation, as I said before, the voice acting in the game is pretty well done. The sound effects in general are also up to scratch, with audio cues allowing you to protect yourself from attacks off-screen, and the sound of getting a perfect block is a serotonin boost. Visually, the game adopts a cel-shaded style, and I think it works well in this somewhat dark world. Plus, it probably helps the game's performance.
I mostly enjoyed my time with The First Berserker: Khazan. It was quite a challenge for me, someone who isn't used to Souls-like games. If you do die a few times in the same area, the game recommends you switch to an "Easy" mode, which, while easier, is still pretty tough and will present a challenge to most players.
My only criticism is that the "lock-on" only locks on to enemies in front of you, so if you quickly want to change to a target behind you, it can cause some issues, which, in a Souls-like, can be deadly. Also, while there is a general premise to the storyline, it feels like the background to the characters is a little shallow and not expanded upon, meaning your knowledge of the world is pretty restricted to what little the game lets you know.
If you are after a solid Action-Adventure Souls-like game with a unique presentation, well-tuned combat with a nice skill system, and backed up by a pretty decent storyline, then The First Berserker: Khazan might be the game for you.
The First Berserker: Khazan works pretty well on the Steam Deck, as you would hope, seeing as it achieved Steam Deck Verified status by Valve before its launch. The game has good controller support and supports the Deck's native 1280x800 resolution.
There is a wide range of graphical settings, but I recommend keeping the settings on the lower side for the sake of performance and battery life. Plus, the game still looks pretty good on low settings, thanks to the somewhat artistic styling.
If you want the game to feel smooth and look decent, these are your settings.
You'll want no TDP Limit set, so make sure to disable the framerate limit and set the refresh rate to 60. This will minimize any input lag, which is essential for games like this.
For in-game graphical settings, selecting the "Low" preset and then dropping the Shadows from "Low" to "None" actually puts us in a really good position for this; it pushes the GPU to its max, but you barely get any drops from 60 FPS, meaning it's a smooth and pleasant experience. The exception to this is some cutscenes, which will drop. One particular cutscene I noticed dropped below 20 FPS.
It may seem you can get away with the Shadows on "Low," but as you progress through the game, you'll encounter battles where the frame rate drops into the mid-50s, so for a stable 60, turn them off.
On the flip side, this does mean that the power draw is on the higher end, often drawing about 19W-22W from the battery. This means your playtime will be down to about 2.5 hours on the Steam Deck OLED and around 1.5 hours on a Steam Deck LCD. Temperatures were also up at around 70C-75C, with audible fan noise.
If you want to preserve some battery life, turn down the in-game frame limit from 60 to 30 and use the same in-game graphics settings as above. This should lower the power draw to around 11W-13W while still maintaining playability. You should see around 4 hours of battery life on the Steam Deck OLED and around 3 hours on the Steam Deck LCD. Temperatures are also down to about 60-65C on these settings. I also recommend changing the refresh rate back to 90 for smoothness, but keep the disabled framerate limit option on.
The First Berserker: Khazan does have an "Easy" mode, which makes the game's combat a bit easier. There is some aim assist to help with ranged weapons and an option for an Arachnophobia Safe Mode to alter the appearance of spider-like creatures.
The First Berserker: Khazan is an enjoyable title for a specific group of people. The combat is tight and responsive, just what you want for a skill-based game such as a Souls-like. The story is decent, although I would have liked to have a bit more background information about the empire that Khazan served and any actual information on what kind of person Khazan is, but maybe that's for another time. The game's presentation is unique with the cel-shading, but it works well.
To top it all off, The First Berserker: Khazan runs great on the Steam Deck. We can't push the visuals too hard, but we do get a decent-looking game at 60 FPS, and we can lower the frame rate to gain some battery life if we choose.
Our review is based on the PC version of this game.
If you enjoyed this review, be sure to check out the rest of the content on SteamDeckHQ! We have a wide variety of game reviews and news that are sure to help your gaming experience. Whether you're looking for news, tips and tutorials, game settings and reviews, or just want to stay up-to-date on the latest trends, we've got your back.
Star Wars Outlaws was provided by Ubisoft for review. Thank you!
It's no secret that Star Wars Outlaws got off to a rocky start when it first launched back in August 2024, but now we're a few months down the line and plenty of updates have come in, how is Star Wars Outlaws faring now? Well, I'm pleased to say that a lot of the problems that people had with the game seem to have been improved. That being said, there are still a few things that I got frustrated with during my playthrough.
In Star Wars Outlaws, you play as Kay Vess, a down-on-her-luck thief who is always looking for her next big score but instead just gets herself into more trouble. After a job goes wrong, you're thrown into the criminal underworld, where you'll need to balance your reputation with various criminal factions and build your crew to pull off that final big job.
Kay is a fairly likable protagonist, and Humberly González does a great job of making her quite relatable with a streak of arrogance. She often feels out of her depth in the situation, which is refreshingly realistic for a protagonist.
As you're assembling your crew, you'll visit various planets and inevitably, all potential members of your crew are in some sort of trouble on each of the planets, requiring you to fix their situation so you can recruit them. It does get pretty tiresome by the third crew member, but what can you do? It'd be a bit boring if you just showed up and recruited them immediately!
These planets are fairly large once you land on them, several kilometers across for each, although a fair amount of them are empty spaces with places of interest being highlighted on your map. The planets you visit represent various biomes, such as desert, forest, urban, and snowy. The planets are based on more obscure Star Wars planets, with the exception of Tatooine, usually only shown briefly in the newer films or in some cases, created just for Star Wars Outlaws.
You can also fly around in space above the planets, although this part of the game seems to be more of an afterthought, and while there are some minor quests to do here, almost nothing storyline-related happens in space.
Then we have the stealth mechanics, which have been the constant victim of criticism levied against the title.
As of Update 1.50, I had no issues with the stealth mechanics. Sometimes, the enemies seemed to patrol somewhat unfairly, giving you little choice but to fight, but this was rare. Although stealth is heavily encouraged in the game, fighting is often an option. Enemy line of sight seems to be as you would expect for a Ubisoft title, and the mechanics still share a lot in common with other Ubisoft open-world games such as Far Cry, giving you a limited time to eliminate enemies in the area before an alarm is raised and reinforcements arrive.
The shooting feels pretty solid, with your main weapon being a customizable blaster pistol. As you progress through the game, you'll get additional modules that fit and add more firing modes and ammo types to the gun, making it highly versatile. The feedback from the gunplay is pretty good and enemies don't tend to be bullet sponges very often, so you do get some sense of power from your weapons.
When in free-roam, the game plays out like any other Ubisoft open-world game, but it feels far more focused when doing the main quests, often playing like an action-adventure title where there is one linear path through the mission you're on. This usually takes place in an interior of significant size and is not part of the open world map. I much prefer this way of handling key missions.
However, there are some irritations I found with the game, with some that feel like bugs and others that just feel like poor design. The chatter between guards sounds disjointed as if the game chooses random voice lines for them to say and another random line to reply with, which can become irritating and feel cheap. Climbable surfaces in the game aren't marked and it isn't always obvious what you can climb, leading to some confusion. Yellow paint would have been much appreciated in these spots..
Then there's AI, which has pathfinding issues. Particularly when AI uses speeders, it seems to struggle greatly. If you're being chased while on your speeder, sometimes other speeders hunting you down will just ram you and bring you to a stop or randomly stop in front of you, and it feels like the AI is just getting confused. In one side mission, I was tasked with eliminating incoming enemies who were arriving on speeders, but when the mission didn't end, I was confused until I realized two enemies were stuck on their speeders 200 meters away because their speeders had collided with each other.
There are also some instances where objective markers are unhelpfully placed. Some quests will guide you to one objective marker and then another before leading you to the final destination, but others will just waypoint the final destination and leave you trying to figure out how to reach it. The game really could have done with a "breadcrumb" system where a trail or arrows were put on the ground for you to follow, as sometimes it gets very confusing on where you have to go.
Visually, Star Wars Outlaws looks quite good, with some excellent reflections and lighting. But this also has a drawback. The game forces ray-tracing upon the player, meaning if you have a non-Nvidia GPU, you might experience some severe performance issues. On my AMD Radeon RX 6600 XT, I played the game on the lowest settings at 1080p with FSR3 on Balanced, and I still got dips below 30FPS on one of the planets and, very rarely, below 20FPS. So, the performance is far below what I expected, almost certainly caused by the game's forced ray-traced reflections and lighting.
So, is Star Wars Outlaws the travesty everyone made it out to be? In my opinion, no, at least not now a few updates have been released. It's a solid action-adventure title that takes it a bit easier on the open-world elements compared to other Ubisoft games, and I mean that in a positive way. With decent gunplay, some interesting if under-used faction relationship mechanics, and a serviceable story to push it all along, I recommend picking up Star Wars Outlaws if you find it on a good sale.
Unfortunately, Star Wars Outlaws runs poorly on the Steam Deck, likely due to enforced Ray-Tracing. Although you can get the game to boot and "play", the performance is just unacceptable, often in the mid-20s and occasionally dropping below 20 FPS even with no action on the screen. Star Wars Outlaws is a game you'll have to skip playing on the Steam Deck.
Star Wars Outlaws has a ton of accessibility options, including Presets that allow you to quickly change several options at once, including the difficulty of the game, assistance with Quick Time Events, whether you need to hold a button or whether it toggles, and disabling of camera shaking effects. You can also adjust the size of the HUD, high contrast modes, subtitles/closed captions, and colorblind filters.
Star Wars Outlaws might have had a rough launch, but many updates have been applied which make it a decent and enjoyable experience. There are a few rough edges here and there, but if you can get past those frustrations which you're hopefully now aware of if you've read this review, then you'll be able to enjoy a brand-new and shiny Star Wars adventure.
Sadly, the forced ray-tracing means the game cannot run at an acceptable level on the Steam Deck, so you'll need a more powerful device to play this one.
Our review is based on the PC version of this game.
If you enjoyed this review, be sure to check out the rest of the content on SteamDeckHQ! We have a wide variety of game reviews and news that are sure to help your gaming experience. Whether you're looking for news, tips and tutorials, game settings and reviews, or just want to stay up-to-date on the latest trends, we've got your back.
Indiana Jones and the Great Circle was purchased by us for this review. Thank you!
I'll admit, I wasn't very impressed when I first saw Indiana Jones and the Great Circle. Although the game was pretty impressive visually, and the voice acting itself was decent, it felt like the script was off, like it was based on some cheesy 1970s show that hasn't aged all that well. However, I'm glad to say that my initial impressions based on those trailers were wrong and that Indiana Jones and the Great Circle is a highlight of 2024!
The game starts in a Peruvian jungle, recreating scenes from the Raiders of the Lost Ark movie, which is a really strong way to begin. It brilliantly showcases the game's visual potential and draws in fans of Indiana Jones by faithfully recreating scenes from the movie.
After this short prologue, you're thrust a year into the future, 1937, which is where Indiana Jones and the Great Circle begins its own unique narrative. This is an excellent move by MachineGames to not just adapt one of the films to the video game format, which would draw constant comparisons between the films and the game. Indiana Jones and the Great Circle has a fantastic narrative that equals the Indiana Jones films of old, and it's perhaps a damning indictment of the newer films that this game has a better story than they do.
The adventure will take you worldwide, from the USA to Italy, China, Peru, and more. It truly does feel like one of Indiana's globe-trotting adventures, with players given the option to either confront opponents (usually Nazis and/or Fascists) or play it more stealthily and do silent takedowns, or you can just avoid enemies altogether in some cases.
The only downside is that the game seems to be rather front-loaded. You spend a lot of time in environments at the beginning and mid-game, and towards the end, Indy switches locations pretty much every hour, or less in some cases.
It wouldn't be Indiana Jones without some light-hearted combat, and while there is a degree of violence in the game, it's not on par with other titles in the genre. While you can use your fists to have a good old punch-up with your opponents, it's far more effective to find objects in your environment, such as shovels or bottles, to hit your opponents over the head with, ideally quickly incapacitating them before they can alert their friends.
It can devolve into trigger mashing when encountering enemies, though it's perhaps not the best way to play the game. If you're spotted, you do get time to knock an enemy out before he alerts others in the area by shouting or firing his weapon. So it often involved me running up to him and frantically mashing L2 and R2 to swing punches manically at his face to knock him out, with varying degrees of success.
You get firearms with limited ammo, mainly gained by incapacitating enemies and stealing their weapons. Doing almost any action in the game will make you drop your weapon, which I found pretty frustrating with the game design. You can only hold one object, so you will drop the firearm you picked up if you need to hold anything else, even a camera. Likewise, using your whip or climbing a ladder will make you drop your weapon, preventing you from holding onto a firearm for too long. On the flip side, firearms are very powerful in the game, so I understand why they try to limit their use.
Inventory management can also be a little frustrating, handled entirely by the d-pad, making it difficult to quickly select the item you want if enemies are actively chasing you. It might take several downward clicks on the d-pad to select a bandage, for example, and if you click one too many times, you need to keep clicking to return to the bandage, wasting valuable seconds.
You will encounter plenty of puzzles in Indiana Jones and the Great Circle, so if you aren't in a puzzling frame of mind, you might want to wait until you are. Some are straightforward and take seconds, but others require you to stand back and think about them. The game has a handy hint system whereby you can gradually reveal how to solve a puzzle. I took full advantage of this several times after getting stumped for a few minutes on several puzzles.
Sometimes, these can be a little repetitive. There's one point in the game where the same type of puzzle is used three or four times, and that can be a little much. However, the puzzles are generally quite varied and should keep you on your toes during the adventure. It's always satisfying to solve a puzzle and see the secret door swing open, adding to the game's Indiana Jones vibe.
I know a lot of us were worried about how the acting might come across in the game. Harrison Ford isn't voicing Indiana in this one, but Troy Baker does an excellent job of imitating Ford here. I've heard others say that sometimes you can get fooled into thinking it is indeed Harrison Ford voicing the character, and I would agree with that statement. The voice acting generally stands up here and doesn't detract from the game at all.
The visuals are also quite stunning at points. Although the screenshots above were largely taken on a Steam Deck and therefore don't really convey how pretty the game can be, here are some screenshots from my PC, which also aren't at the highest settings but give you a better idea of how the game can look.
Indiana Jones and the Great Circle does an excellent job of giving you exactly what you want from an Indiana Jones game. It has the puzzles and intriguing storyline you might expect. The violence is impactful yet still retains a somewhat light-hearted feel with minimal gore, and it really does feel like another Indiana Jones adventure of old.
Aside from some frustrations around how the game handles items and inventory, and the story pacing is a bit front-loaded, I recommend you pick this one up if you are interested in Indiana Jones or just want a good adventure to enjoy.
Indiana Jones and the Great Circle supports 16:10 resolutions, so you can play it without black borders on the Steam Deck. It also has great controller support, so that's not a worry either.
The game does have some issues on the Steam Deck, namely, character eyes can have glowing artifacts around them, and photos taken by the camera are purely black. These issues can make certain parts of the game harder, but they're more of a hindrance than a roadblock.
The beta version of SteamOS fixes the glowing eyes issue, and in my playthrough, it was generally not too bad. It was mainly noticeable when characters were in dark cutscenes. When I ran the game with the beta version of SteamOS, the performance also seemed to improve by 3-4 FPS, so the updates may help performance when they hit the Stable channel, too.
Regardless, here are my recommended settings for the game on the stable SteamOS channel as of the time of writing this review.
Set the SteamOS frame rate limit to 30 and no TDP limit.
We're running the lowest settings we can get away with while making the game as playable as possible. I noticed intense shimmering that could cause nausea if your resolution is only slightly scaled down, so this is as high as the resolution can go while eliminating the shimmering.
I'm also using the NIS Scaling Filter with a Sharpness of 5. This helps make text clearer even at the lower resolution of 800x500 that we are running and reduces the softness of the image.
Here are the full settings I used as a reference. I'm sorry for the number of images. There are a lot of options, and the screen only shows a few at a time. You can click the images to enlarge them.
Using these settings, the game generally sticks to 30 FPS. There were a couple of areas where performance dropped into the high 20s, but I found the game to be playable, and I played through the game using just my Steam Deck. On the beta SteamOS, performance was improved and stuck to 30 FPS for more of the time, so hopefully, these figures will improve in the future and leave room for perhaps a graphical boost, too.
You should expect the power draw to be high throughout the game, mostly holding around 19-22W of battery drain. So you could get around 1.5 hours from a Steam Deck LCD and around 2 hours of play from a Steam Deck OLED.
Temperatures were also high, around 65-75C during play, with most of the stress surprising on the CPU.
There are some accessibility settings in Indiana Jones and the Great Circle. We have UI Font Size, which defaults to Large on the Steam Deck and makes the fonts generally quite readable. We have options to reduce the camera's movement for motion sickness, subtitles and closed caption support, color filters for colorblindness, highlights around objects can be enhanced, and you can change the colors given to interactable objects.
Do note that if you happen to suffer from arachnophobia, several scenes in the game feature arachnids (specifically spiders and scorpions) in cutscenes and gameplay, and there is no arachnophobia mode to lessen that.
Indiana Jones and the Great Circle is one of the best adventure games of recent memory because it truly captures that sense of "adventure." Minor niggles concerning inventory management and story pacing don't deter from the solid gameplay, the intriguing story as a whole, and the immersive environments making you feel like you are playing an Indiana Jones movie. The solid voice acting is a cherry on top.
As for how the game runs on the Steam Deck, well it's up to you whether it is "playable" or not. I did find it playable and enjoyable. The image is quite blurry, but I didn't find that it hindered playing the game; having said that, it's understandable if those visuals offend your eyes. But if you want to play Indiana Jones and the Great Circle and a Steam Deck is all you have, it is an option to play it. I would just recommend you use a desktop instead if possible.
Our review is based on the PC version of this game.
If you enjoyed this review, be sure to check out the rest of the content on SteamDeckHQ! We have a wide variety of game reviews and news that are sure to help your gaming experience. Whether you're looking for news, tips and tutorials, game settings and reviews, or just want to stay up-to-date on the latest trends, we've got your back.
Legacy of Kain Soul Reaver 1 &2 Remastered was provided by Aspyr for review. Thank you!
Before heading into this review, I didn't actually know anything about the Legacy of Kain series other than seeing a couple of trailers here and there and hearing about it when it first launched over 20 years ago. Heck, I didn't even know what genre these games were. But as it turns out, these are actually pretty competent 3rd person action-adventure games, and I understand why they gained a cult following when they were first released. But how do they hold up now, 25 years later? Do the remasters do the games justice? Let's find out.
To start with, calling these games a "Remaster" might be a little generous. There are higher-resolution textures and slightly enhanced models throughout, with some improved lighting too, but overall, the game remains very similar. Essentially, it looks like a 1999 game got upgraded to a 2004 game. Visually, the games are not very impressive and still resemble PS2-era games.
The second game benefits even less from the visual upgrade, presumably because it's newer, and the textures were already slightly higher quality than the first game. However, some textures are not upgraded at all in the second game, and others just have a mild uplift in resolution. The models are a better upgrade than the textures, though. While some are smaller upgrades, others are rather big facelifts, which become obvious if you toggle between the two modes in a cutscene, for example.
A simple click of the right thumbstick switches the game between the classic visuals and the "remastered" visuals, which changes textures, models, and even the resolution of the menus. So, if you do want to go on a nostalgia trip, you can play the games entirely in their classic guise.
I'm also unsure if the sounds have been updated from the originals, having never played them. Still, the voice acting is pretty decent, considering I wouldn't think most people would play this game for the storyline, which is also passable.
Gameplay-wise, the games appear identical to the original releases, so if you did play the original release, there's probably a good deal of nostalgia here. Still, if you didn't, you might find some of the gameplay to be a bit frustrating, with a somewhat dodgy camera that doesn't handle vertical movement too well and somewhat stiff movement, especially when you're airborne or swimming, which can result in a few missed jumps or frustrations.
Combat in the game isn't your typical run-of-the-mill affair in Legacy of Kain: Soul Reaver though, the enemies you fight are fellow undead creatures, and because of that, they're technically immortal, generally speaking. That means you'll need to use different methods to defeat your enemies, either bringing them into the light, setting them on fire, impaling them, or throwing them into the water.
At first, this unique mechanic helps prevent the game from devolving into a button-mashing session. When you enter a room, you're searching the environment for potential weapons or ways to dispatch your foes, not just running up to them and mashing the X button to defeat them. That will just stun them, so you can use your environment more easily to finish them for good. Unfortunately, this mechanic sort of goes by the wayside as you progress through the game, and by the second game, you can just button mash.
There is also some puzzle-solving, but it usually involves pushing a crate or some other object to a specific place so you can either access a new area or activate a mechanism to access a new area. You might be scratching your head at first, but once you get the hang of it, you'll start recognizing what the game wants you to do in certain places.
The biggest puzzle I found in both games is where to go! The world design is quite akin to a 3D Metroidvania, with various interconnected areas that you can end up looping around and going back through, and that's pretty cool, but it can also lead to some confusion. Both games have a map that lets you see key points, but those areas can be quite big, and there's no local map, so if you've taken a break, it can be a little confusing figuring out which way is forward and which is backward. Fortunately, the second game is a little more linear and easier to follow, but the first game is quite maze-like.
The games allow you to switch between your physical and spectral state to explore the same area in the two worlds and progress. Unfortunately, it doesn't always do a great job of communicating when that's necessary. I often kept forgetting to change, and you can't always change whenever you wish, so it can be a bit of a headache.
The first game also has portals for fast travel, where you choose a symbol representing a place to go to, which means checking the map and then memorizing the correct symbol for the area you want to teleport to and keeping it in mind. At the same time, you scroll through the painfully slow portal selector. This whole thing could have been solved by showing the actual name of the portal you're teleporting to on the screen.
It may sound like I hate Legacy of Kain: Soul Reaver 1 & 2 Remastered, but I think these games are quite enjoyable. If you have played these games in the past, then the remasters are a good way to experience them again.
It's just that not much has changed here. I don't think anything regarding coding/mechanics has changed; the slightly updated textures and smoother models are appreciated, and the price tag is reasonable for the two games that should provide you with at least 15 hours of gameplay each. It's not always easy to go back and play a game from the 1990s, and with me having no nostalgia for these games, Legacy of Kain: Soul Reaver hasn't aged tremendously well.
Legacy of Kain Soul Reaver 1 & 2 Remastered runs almost perfectly on the Steam Deck. The game fills the Steam Deck's display correctly, so there are no black bars to worry about. Controllers are fully supported, so there are no issues there either.
The main issue I found is that the map screen in Soul Reaver 1 was oddly zoomed in, meaning the edges of the screen were cut off. I would guess that this is an issue with the Steam Deck being a 16:10 display, and it doesn't harm the game's playability, but it's worth mentioning.
Set the SteamOS frame rate limit to 60 and a TDP Limit of 5W.
There are no graphical options in either game, so there's nothing to configure here. With the 5W TDP limit, you should have a constant 60 FPS throughout both games, with a slight traversal stutter on occasion.
As you might expect, both games' power draw is incredibly low, around 6-7W in my playthrough. This means Steam Deck LCD owners should expect about 5 hours of battery life, whereas OLED users can expect a good 7 hours.
There was no fan noise, as expected, and temperatures stayed very low, not exceeding 60C.
The only accessibility options in these games are rebindable controls and subtitles for cutscenes.
The Legacy of Kain: Soul Reaver 1 & 2 Remasters should scratch that nostalgic itch you have for these games, but if you didn't play them when they were new, you might want to give these games a miss. They're products of their time and don't hold up too well with antiquated gameplay, lack of quality-of-life features we've come to expect nowadays, and visuals that still belong 20 years ago.
However, the games perform flawlessly on the Steam Deck. They require very little power draw to achieve 60 FPS and have good controller support. The only flaw I found was that the map is too far zoomed in on the first game's map screen, but aside from that, everything works as you would hope.
Our review is based on the PC version of this game.
If you enjoyed this review, be sure to check out the rest of the content on SteamDeckHQ! We have a wide variety of game reviews and news that are sure to help your gaming experience. Whether you're looking for news, tips and tutorials, game settings and reviews, or just want to stay up-to-date on the latest trends, we've got your back.
Funko Fusion was provided by 1010 Games Ltd for review. Thank you!
When I first saw Funko Fusion's announcement, I had mixed feelings about the game. While it looked like it was gunning for LEGO's crown in the well-known IP with a comedic take, it also looked a bit... Well, flat and unpolished. Now, having played through the game, those first impressions were confirmed.
To set the scene, Funko Fusion starts with a prologue, where an evil entity (known as Eddy) has arrived in WonderWorld, using his powers to corrupt all the worlds. You'll now need to play as various characters from famous IPs to cleanse your worlds of this infection and restore them to normality, largely consisting of playing through scenes in the respective movies. These include Jurassic World, Scott Pilgrim, and Battlestar Galactica.
You might think this is a setup for a great adventure with plenty of nostalgia and neat little easter eggs. Well, it is, but unfortunately, I think the developers missed the mark on this one. Many characters just parrot lines directly from the films they were in (in text, there are no voiced lines in Funko Fusion). And the cutscenes, often a highlight in the LEGO games, just feel rather bland and uninspired here. There are some attempts at humor, but they often fall flat and seem hastily thrown in to try and get a cheap laugh.
While the plot's premise is solid, the execution leaves little to be desired. There is a wide array of characters from various franchises, along with a wide array of weapons, they all play pretty much the same. Some characters, like Scott Pilgrim, have unique weapons, but others have some form of gun. Sometimes, they have an automatic gun where you can hold a button instead of mashing it, and then you can also collect other "guns" like a crossbow or grenade launcher. Sadly, all the guns lack weight and a feeling of impact, with pretty poor sound design and almost no feedback.
The same, sadly, goes for the mission format. Although the environments are varied due to being based on different IPs, the missions feel pretty lackluster in their designs. They often take the form of "hunt down this enemy" and let you scour the map for them, with little indication of where they might be, which I found to be a recurring problem with Funko Fusion.
The game gives you an objective in the bottom right corner, but beyond that, there's often no on-screen indication of where to go or how to achieve that objective.
Funko Fusion falls into an odd space where it feels like it should be a game designed for kids but is based largely on franchises that appeal to adults. The combat difficulty is more kid-friendly, but the lack of direction would frustrate a child. If I gave this to a 5-year-old, they'd give up in a few minutes, frustrated about the lack of clear instructions. The "tutorial" is largely non-existent, teaching you some gameplay mechanics, and then it's up to you to figure out the rest.
What doesn't help is that the game worlds, while not large, are quite open and non-linear, meaning you can walk around for a while trying to figure out where you're meant to go. Objective markers often don't appear until you pick up the relevant object. You may get told to unlock a door, for example, but you aren't told which door or where the key is. Only when you find and pick up the key will a marker appear telling you where to take the key. Because of this, it feels like a puzzle game and not a good one half the time you're playing it.
There's also a mismatch in how the game portrays violence. Humans can be killed at will, and shooting them will cause their heads to pop off, the game loves featuring the decapitation of humans, and nearly every enemy you kill and in a few cutscenes heads will pop off, and not always in the cutesy way that LEGO does it. In most worlds, it is like LEGO, but in The Thing world specifically, killing humans is associated with blood splatter. I don't know why, but the developers obviously decided to have gore in that world, not the rest of the game.
In the "Jurassic World" world, for example, it shows all the dinosaurs as being tranquilized and sleeping, even if you just exploded them with a grenade. Heck, you break open the rib cage of a boss in the world so you can shoot its heart, but don't worry, it's just tranquilized at the end of the fight. However, in the Hot Fuzz world, there are rather gruesome and gory moments of humans being murdered. There are even censored swear words in other places, such as twice where "F**k" appears in the game. If you're portraying violence and allowing us to blow humans apart with blood spray, just use the F word.
Funko Fusion feels like it was a game made by a team that knows how to program and develop a game but didn't have much of a focus on what they wanted to create. It's part puzzle game, part action game. It is a game that initially looks and feels like it was built for kids but with adult themes. It ends up leaving the player quite confused as to what the developer's aim was. There are different standards per world, and that's just strange. There seemed to be no consensus on how the game should handle situations between worlds.
The technical aspects of Funk Fusion are fine. It looks quite good, with the movement and aiming mechanics working just fine, in my opinion. However, almost every aspect of the game's design, from the weapons to the missions, just seems poorly thought out. Unfortunately, graphics don't make a game.
Funko Fusion is its own worst enemy. I wouldn't recommend this game for children because, although that is promised, there's no multiplayer or co-op functionality to help them figure the game out when it gets a bit directionless. Also, some scenes in the game aren't really appropriate for very young players, as there is some blood and gore and half-heartedly censored swearing.
But at the same time, I wouldn't recommend this game to adults either; due to the low difficulty of the combat and rather repetitive nature, it is probably not suited to your average adult gamer. As you progress through the worlds, you realize that all the puzzle elements are the same and usually involve finding a valve or a fuse to power something. Likewise, the mission objectives are to hunt down minibosses or rescue animals.
Funko Fusion will encounter a Visual C++ Runtime error upon first boot. To fix this, follow the steps in this article. Of course, in Step 3, you should select Funko Fusion instead of the Pacific Drive Demo, and I also used VCRun2022 instead of VCRun2019. You can also run the game with Proton GE.
Funko Fusion has many visual settings that we can adjust, but it's also a surprisingly difficult game to run. So we're having to run the game at low settings. I recommend sticking to 40 FPS here, with the option to drop down to 30 FPS if you want to save some battery.
It's worth noting that the cutscenes are pre-rendered, and if you don't run them at 60 FPS, they play in slow motion, resulting in some audio glitches, so you may want to manually disable the frame limit each time a cutscene plays if it bothers you. There are no voice lines in the game, though, so it's not a huge deal if you miss the cutscenes.
While the subtitles themselves are easy to read, sometimes characters in worlds speak through speech bubbles above their heads, which can be hard to read on the Steam Deck's display. There is also no way to adjust their size.
For this, we will set a frame rate limit in SteamOS of 40 FPS and a TDP Limit of 15W.
You'll want to set all in-game settings to the minimum possible, set the upscaling method to FSR3, and use the Quality setting. I did try TSR because I thought it looked better, but I ended up running into issues with excessive GPU usage when using it.
With these settings, you should see a pretty stable 40 FPS for most of the time. There are dips in some areas, such as when an explosion happens, a lot of smoke on screen, or looking through a portal in the Masters of the Universe world. Also, the hub world will gradually worsen performance as you unlock more worlds, so by the end of the game, expect the FPS to be in the low 30s while in the hub world.
Depending on the world you're in, the power draw can vary wildly, from as little as 15W in indoor areas to around 25W in worlds like Hot Fuzz or The Thing.
The game runs hotter, around 70C indoors and 75-85C in more intensive areas. The fan noise is pretty constant, although this does depend on what world you're in.
To save some battery, you can lower the FPS Limit in SteamOS to 30 FPS, which can reduce power draw to around 16-18W even in outside areas. However, the power can still spike above 20W, and I didn't enjoy the game at 30 FPS.
Funko Fusion has an accessibility menu with a few options. You can disable camera shaking, adjust controller sensitivity, and aim assist. There are also colorblind filters and adjustments to the size of subtitles in the game. It's worth noting, though, that subtitle size doesn't affect the size of subtitles in speech bubbles, just in the text that appears along the bottom of the screen sometimes.
My primary feeling about Funko Fusion is confusion. Funko Pops and their design often appeal to children, and Funko Fusion feels like it should be a kid's game by its design. The game seems to tiptoe around the area of violence in some worlds, and then straight up lets you blow people's heads off with a shotgun and blood splatter a few moments later in another world.
At this point, I wonder if Universal dictated to the developers what was and wasn't allowed to be portrayed concerning certain IPs.
While this isn't a dealbreaker in itself, it highlights a problem throughout Funko Fusion: the game seems to have many half-baked ideas. Still, the dev team lacked the time or imagination to carry them out. The visual presentation and the technical aspects, such as movement and mechanics, work fine. The problem is that the puzzles are repetitive and tedious, the combat feels hollow, and many missions worldwide are variations on finding lost animals or defeating a series of minibosses.
The lack of any form of multiplayer is also pretty disappointing. The developers stated at launch that the game would receive multiplayer in October 2024 but that it would be launched in stages, not supporting the entire game, and so far, we haven't heard much more about it.
Performance on the Steam Deck is at least decent. You can play Funko Fusion at 40 FPS if you run the lowest settings, with the option to go down to 30 FPS to save some battery life. The controllers also work great, although some of the text in speech bubbles may be hard to read sometimes.
Our review is based on the PC version of this game.
If you enjoyed this review, be sure to check out the rest of the content on SteamDeckHQ! We have a wide variety of game reviews and news that are sure to help your gaming experience. Whether you're looking for news, tips and tutorials, game settings and reviews, or just want to stay up-to-date on the latest trends, we've got your back.
SWORD ART ONLINE Fractured Daydream was provided by Bandai Namco Entertainment for review. Thank you!
SWORD ART ONLINE is a franchise that has divided many. I remember when the anime aired its first episodes, which had a great response. But since then, the franchise has had ups and downs, no more so than in its video game adaptations, which often receive a mediocre response from players. But Fractured Daydream may be a big step up for the series.
It should be noted here that Fractured Daydream is primarily an online title. While you can play offline, you'll only have the game's story mode and miss out on the extra multiplayer-only modes. Also, suppose you choose to play in online mode and lose connection, such as by being inactive for some time or by putting your device in sleep mode and waking it up again. In that case, you will be sent back to the main menu, losing that current mission's progress, even in the single-player story mode.
Approaching Fractured Daydream's story from the viewpoint of someone with minimal experience with SWORD ART ONLINE is a little daunting. The game is designed for fans of the series, and because of that, you'll see references to other pieces of media that you likely won't understand if you aren't versed in the lore. Notably, characters are not introduced, and players are expected to know who they are and their relationship with Kirito, the primary protagonist of the franchise and this game's protagonist.
The game's story mode is structured into many short and sweet missions. They tend to be pretty dialogue-heavy and range in length from around 5 minutes to around 15 minutes. Some are more cutscene than gameplay, but the story is interesting and well-voiced. There is only a Japanese dub available, so there is no English voice acting. The average player will probably take 7-8 hours to play through the story mode.
The storyline involves a new feature being added to the virtual world that has caused a glitch, resulting in mass confusion for the players in the game (including amnesia because this is anime). Odd events begin occurring, such as virtual entities appearing that shouldn't be able to exist in this world. It's up to Kirito and his party to find out what happened and how to fix it.
There are 2 difficulty options, "Normal" and "Easy." However, selecting Easy will limit the kind of loot you can get. Normal is easier anyway, so I wouldn't worry about it. I played through the first chapter of the game without coming close to death, and I'm not exactly an expert at these types of games.
The combat in Fractured Daydream is pretty decent. It follows your usual hack 'n' slash formula, and you can abuse button mashing if you want to. There's no requirement for learning combo moves here. To spice things up, you can alternate between light and heavy attacks with your melee characters, and every character has special abilities that you can fire off by using RB + 1 of the face buttons. You can also use an ultimate ability by pressing RB + R3, which deals massive damage.
The variety here really comes from the different characters in the game. While you may have your favorites, you are forced to play various characters throughout the story mode (you can choose which you want in multiplayer modes). Some characters are ground melee and fight as you might expect a normal warrior to fight. However, other characters can fly, while others use ranged weapons instead, turning the game into a 3rd-person shooter.
All these combine to keep gameplay fresh, which could sometimes become monotonous button-mashing. The story mode constantly switches between weapon types, movement styles, and environments, which keeps things interesting, especially since the game's mission structure is fairly similar throughout. Thankfully, the variety of characters, weapons, and environments, plus the frequent story cutscenes/dialogue mixed with the repetitive mission structure, ease the blow.
The visuals of Fractured Daydream hold up because of its well-translated anime art style. Even at lower settings, the game maintains clarity and appeal. This, combined with well-mixed sound effects and good voice acting, means the presentation leaves a good impression.
The downside to the story mode is the friendly AI. This is one of those games where your NPC allies are there to draw fire from the enemy rather than do anything useful. The damage they deal to enemies and the damage they take is negligible. Don't expect them to do much fighting for you, but on the flip side, you don't have to worry about them dying on you, either. They are also terrible at pathfinding, so they'll usually teleport to you after a while. This means you can be alone in a combat situation until they teleport.
But all we've talked about so far is the story mode. A big feature touted for Fractured Daydream pre-release was its 20-player online battles.
The online play of Fractured Daydream was a lot of fun for me. There are a few different "Quests" that you can embark on, of varying difficulty and location, and on these quests, you'll initially be in a party of 4. Gradually, you'll meet up with 4 other parties to make a combined total of 20 players, at this point, you'll need to face off against the final boss.
It all creates a great sense of cooperation and camaraderie. Even though each party has its score and at the end of the quest, a party will be rated as the "best" party, and you're all still working together to complete the objectives and defeat the boss. It's just plain and simple fun at the end of the day, with no stressing, and no worrying about toxic teammates, this is my kind of online experience. Even if another party member falls, any of the 20 players can revive them, which lets the true cooperative nature shine through.
The only downside to the online game I found was that sometimes the game is overzealous and puts you in a match without 20 human players. Once, the game was matchmaking for nearly 2 minutes, and a full 20-player lobby was found. However, most of my subsequent games only waited around 20-30 seconds, and the player count was usually 5-8 players, meaning some parties were just 1 player. Fortunately, bots will fill empty player slots, and the bots in multiplayer are more competent than the NPCs that "help" you in the story mode.
If you want an even more casual experience, you can go into "free roam" online, which lets you explore a couple of the game's maps with other players. There is also a boss raid mode if that's your cup of tea, although you'll need to play a bit of multiplayer before that unlocks.
Fractured Daydream gets off to a good start. We have proper 1280x800 resolution support, meaning no black bars on the Steam Deck's display, and the game has excellent controller support, which is my preferred way to play it.
We can play with many graphical settings to get the game running as we want, so let's look at my recommended settings.
It's also worth noting that my settings never seemed to save, and when I rebooted the game, the settings would always default to the lowest. I'm unsure if this is a Steam Deck issue where the game is set to always run on the lowest settings on the Steam Deck, but it is annoying.
In SteamOS, I applied a 30 FPS / 60Hz frame limit; there is no TDP limit. As for the in-game settings, we have a solid mix of medium and low across the board to make it look as great as possible while getting as close to a stable 30 FPS.
With these settings, we can have an almost completely stable 30 FPS in story mode. Some levels, such as those with dense foliage or lighting effects, have slight slowdowns. For example, an environment appearing in Chapter 2 drops to 27 FPS a few times during battle, but most environments will not drop from 30 FPS.
One problematic environment appears in Chapter 3. It has fog, which lowers the frame rate to the low 20s. Fortunately, it's a rare environment, and the combat areas tend to have less fog. However, this environment does appear in online play in some quests, which can cause issues there.
Sadly, my favorite part of the game, the online part, is the worst performing, and you'll want to turn Shadows down to "Low" to disable them. I also set my Resolution Scaling to 80%, which mitigated most of the dips in the frame rate. Even with shadows off and the 80% Scaling, you'll still see dips into the mid-20s when all 20 players are fighting a common enemy.
The saving grace here is that Fractured Daydream is not a game you "try hard" at. It's a reasonably casual experience, so even if you drop some frames, it isn't the end of the world, and it's unlikely to cause you to mess up or miss an attack, as the game is fairly forgiving.
Also, note that this isn't every map. The forest maps are often intensive. However, other maps, especially indoor ones, run at a constant 30 FPS, even online.
Power draw in the story mode often ranged between 13-18W, with some maps hitting 20-22W on very intensive moments. The online mode tends to stick towards the top end of these ranges. I saw mostly 16-22W during online play, with spikes to 24W. If you're playing story mode, expect 2.5 hours of battery from a Steam Deck LCD and 3 hours from a Steam Deck OLED. Online, you can knock 30 minutes off of each of those.
Temperatures are generally around 65-75C. In the environments that tax the Steam Deck, you can see temperatures up to 80C. The fan occasionally ramps up, but it isn't too bad.
You have a few accessibility options in Fractured Daydream. Namely, you can have an aim assist for ranged weapons, disable the screen shake, adjust camera sensitivity, and whether the camera controls are inverted.
You can also enable English Voice-Overs when players use quick commands in multiplayer, like pinging. This will ensure that the characters speak in English instead of Japanese when giving instructions.
SWORD ART ONLINE Fractured Daydream has a crowd that it caters to and caters to that crowd well, in my opinion. The story mode is designed with SWORD ART ONLINE fans in mind, with references to numerous anime story arcs and characters appearing with sound cues that signify that their presence is significant. Sadly, why their presence is significant isn't conveyed in the game, so your poor reviewer (who isn't an SAO fan) had to go look at a wiki to find out why this person appearing is such a big deal!
Fortunately, for non-SAO fans, the storyline is generally decent, the concept of SAO is easy enough to grasp, and you can sort of figure out what's going on as the story progresses. The gameplay also doesn't disappoint, with over-the-top visual effects firing off in every direction, making you feel like you're using weapons of mass destruction on that spider-looking thing about the size of a large dog.
Performance on Steam Deck is middling, and while the story mode largely runs well, you do have to put up with some pixelation due to the resolution scaling if you want somewhat stable performance in online play. However, the game is fully playable on the Steam Deck, with great controls and acceptable performance.
If you are a SWORD ART ONLINE fan, I don't think it would be a stretch to say that Fractured Daydream might be the best SWORD ART ONLINE video game yet.
Our review is based on the PC version of this game.
If you enjoyed this review, be sure to check out the rest of the content on SteamDeckHQ! We have a wide variety of game reviews and news that are sure to help your gaming experience. Whether you're looking for news, tips and tutorials, game settings and reviews, or just want to stay up-to-date on the latest trends, we've got your back.
Akimbot was provided by PLAION for review. Thank you!
Akimbot is a third-person 3D Action Platformer, and it takes inspiration straight from the greats. If you have looked at Akimbot in the past and thought, "That looks like a Ratchet & Clank game!" well, you wouldn't be far off. Ratchet & Clank is clearly an inspiration for this game, but that's not bad.
Without delving too much into the story and spoiling it, this is your fairly standard plotline. It feels like it's taken straight out of an animated movie 2010. An evil scientist has gone predictably crazy and is trying to acquire a vaguely named "Artifact" that gives its bearer ultimate power, which he will use to rule the universe. The "Algorithm," essentially the ruling power of the galaxy, has enlisted our two unlikely protagonists to defeat the scientist and protect the Artifact. The voice acting is on point here, with the characters sounding perfectly villainous in that cheesy way and others doing their part to fit in with these aesthetics.
The storyline is mostly predictable, but despite you pretty much anticipating where the storyline goes at each twist and turn, the relatively carefree and cartoony atmosphere the game creates around galactic annihilation makes you forgive it for following established tropes.
Our protagonists Exe, a mercenary with a wide array of skills, and Shipset, a drone that has decided to follow Exe everywhere (probably hoping to get money), with his main weapon being his sarcastic wit. The dynamic between the two characters is pretty decent, although 90% of the funnies will come from Shipset, whereas Exe can be frustratingly serious and angsty, you'll soon get tired of hearing him preface every sentence with "tch". But having someone serious to offset the vibes from Shipset is a requirement.
Movement is a key part of any platforming adventure, and Akimbot nails this down pretty well. You can double jump, dash, and make a melee attack, gaining extra height as a "triple jump." The game fully uses this set of moves, and you'll be required to use them all to navigate the perilous planets you'll encounter on your journey. It's pretty satisfying to make some difficult jumps later on. However, there were some odd collisions involving tree branches at several points.
The combat is perhaps just as important as the movement for a game like this, and luckily, it doesn't disappoint either. There are 8 weapons to choose from in total, with 4 "less powerful" weapons that are available on-demand, such as an assault rifle or sniper rifle, and 4 more powerful ones that require ammo, such as dual pistols and a laser. You can only have 1 of these equipped at any time, requiring you to find a shop in the game to equip another.
The "less" powerful weapons aren't far off the power of the more powerful ones, and ammo is rather scarce, with you only getting a handful of shots from a full ammo bar, so I barely ended up using my more powerful weapons, reserving them mainly for boss fights or very difficult battles. The more powerful weapons can be upgraded in the shop, but I feel like ammo usage should have been lower, or at least an upgrade to increase ammo capacity should have been on the cards here.
Fortunately, the less powerful weapons are still fun to use, and with the movement system being good, it enables fast and fluid combat. Enemy variety is perhaps a little lacking, with many enemies on the ground remarkably similar to each other, mostly standing still and firing periodically at you, with shielded ones appearing later on. Flying enemies spice things up a bit when they are introduced, though, and tend to be more mobile, requiring you to maneuver out of their way more often.
Akimbot presents itself quite beautifully. I wasn't expecting this level of graphical fidelity from the game, but it makes good use of Unreal Engine's features and can deliver a very pleasant result. While we can't quite take advantage of all of this on the Steam Deck, the game still comes away looking decent despite the compromises we have to make.
The sound design also works well. The game is often quite busy, and the sounds help to immerse you in the world. The voice acting is also good most of the time. There are a couple of odd-sounding lines, but generally, the voice acting gets a thumbs up from me.
Akimbot feels like a Ratchet & Clank game that has stripped some of its non-linearity. The usual 15-hour adventure is condensed into a 6-hour one. It is very linear, essentially mission-based, with no free-roaming or choice, but because of this, it can keep the action and story always on the move, which works well for it.
While most of the gameplay is on foot, you'll periodically be put behind the wheel of a car, in the cockpit of various spaceships, or even just manning a turret. While these set pieces break up the gameplay a little, they sometimes feel like filler. The car physics is pretty awful, with the car stopping after every jump. The spaceship sections can be needlessly long. After 10-15 minutes of flying through asteroids, you'll begin to realize that these vehicle sections are largely here to lengthen the playing time, which is a shame.
Also, water damages everything. This is a robot civilization, but the first planet is nearly all water. Why has the robot civilization built a holiday resort here?! Heck, even dipping the car wheel in the water destroys it. It's a bit overzealous and led to at least a couple of deaths just from accidentally stepping into a puddle that went above my waist.
Akimbot had a couple of oddities on the first boot, such as the Resolution setting being set to "Value," but thankfully, changing the resolution fixes that. It does support 1280x800 as a resolution, so Steam Deck users won't get any black bars around the screen. The game also has excellent controller support, so you shouldn't have any difficulties controlling it.
There isn't a huge array of settings, but there's enough flexibility to make the game playable on the Steam Deck. This is a pretty intensive Unreal Engine title, which surprised me, but luckily, with resolution scaling, we can get a decent experience from Akimbot.
In SteamOS, you'll want to apply a Frame Rate Limit of 60 and no TDP Limit.
In the in-game graphics settings, we're keeping the resolution at 1280x800, disabling V-Sync, Anti-Aliasing, and HDR. We are setting the framerate cap to 40, the render quality to 60%, the post-process quality to low, the shadow quality to high (the lowest), and the texture quality to very high. I disabled the depth of field and motion blur.
Akimbot still looks pretty good at these settings. I feared the 60% resolution scaling would cause the game to look pixelated and rough, but it actually looks decent. You can enable TAA to smooth out the edges, which has a minor performance impact, but I didn't like the soft image it produced, so I kept Anti-Aliasing off.
The frame rate holds 40 FPS most of the time; however, there are occasions when it will drop. Walking very near foliage can cause drops into the low 30s, and vehicle sections where you go near explosions can drop into the teens, as do some cutscenes. There's a short stealth section later in the game that frequently drops below 30 due to the visual effects, but we cannot do anything about that. Fortunately, these represent a minority of cases, and general gameplay is fine.
Power draw varies quite a bit depending on the enemies and the environment you're in. If things are quiet, the power draw is usually around 15W, but it can go up to around 25W in very intensive situations. Steam Deck LCD users can probably eke out 2 hours. Steam Deck OLED users might manage 2.5 hours.
Temperatures are generally around 70-80C, but in intensive areas, expect them to reach 85C briefly. There's always some fan noise, but it ramps up when a lot of particles are on screen.
There are some accessibility options in Akimbot. For one, all dialogue is subtitled, so you can enjoy the story without sound. There's also some gentle aim assist and the ability to invert controls. There are also 3 difficulty levels to choose from. Playing on the middle difficulty, I found it just about right for someone with experience playing a Ratchet & Clank-style game.
As a side note, the combat music stops playing when all enemies are defeated, as it isn't always obvious. However, the game also briefly turns slow-motion on the defeat of the last enemy that has spawned, which is a good signifier for those with hearing impairments or just playing with the sound off that the last enemy in the area has been defeated and you can relax.
As I said earlier, Akimbot feels like a condensed form of a Ratchet & Clank game, and that's great. The game is short, and most players will be done here in less than 10 hours. While there are collectibles in the form of data logs, they don't add much to the game besides backstory, so I don't think this is the kind of game you'd play through more than once. However, the shortened length keeps the story going, meaning things are interesting.
Good, fluid movement backed up by a solid combat system means Akimbot is a game I can recommend to any 3D action-platformer fans looking to embark on a new adventure. The dynamic between our 2 protagonists is good, even if it does take some time for Exe to lighten up a little.
As for Steam Deck performance, we are kept to 40 FPS and will still get frame rate drops occasionally. We're also running on low settings with resolution scaling, so the visual fidelity isn't particularly great. Still, the game remains perfectly playable, and at no point did I feel I died due to performance issues or lack of clarity. So I can give Akimbot the thumbs up to be played on the Steam Deck.
Our review is based on the PC version of this game.
If you enjoyed this review, be sure to check out the rest of the content on SteamDeckHQ! We have a wide variety of game reviews and news that are sure to help your gaming experience. Whether you're looking for news, tips and tutorials, game settings and reviews, or just want to stay up-to-date on the latest trends, we've got your back.
Towerborne was provided by Xbox for review. Thank you!
The game is in early access, so there may be changes as the game develops. Treat this more as a preview of the launch state of the game, and we will review once it launches into 1.0.
I wasn't sure what to expect when starting Towerborne. Having seen the trailers and a 2.5D beat 'em up, a genre I have little experience in, I was excited to see what was on offer. For better or worse, I was pretty surprised when I eventually got into the game. And I'll preface this review by saying Towerborne is an online-only game. You need to be connected to the internet to play. This means you can't pause the game, even in solo play, and you may experience network lag, even when playing alone.
The basic storyline is that monsters have invaded the realm and destroyed the primary city of mankind, causing its residents to flee to the "Belfry," a large tower now acting as a haven for humanity. As an "Ace," you will protect the people of the Belfry from the encroaching monster forces and take back the realm.
After playing the prologue, you'll end up in the game's lobby/hub. From here, you can see what jobs are available. These are generally secondary tasks you complete during missions. You can also find the game's characters here, accept their main story quests, and upgrade your weapons and gear at the forge.
The Belfry is also an online lobby; you're still technically in an online lobby, even traveling to the world map. Unfortunately, and very strangely, I couldn't find a way to communicate with other players beyond the emote system the game has. Towerborne doesn't appear to have voice or text chat support in the game, which is baffling for an online-only game with a heavy co-op focus. Whenever you start a mission, it prioritizes playing in a group over the option to play solo, so it's a little confusing that you can't communicate with your team.
Once you leave the Belfry and go to the world map, you'll be placed on a hexagonal map, with each tile representing a mission. They are all largely similar in how they play out. Once you select a tile, you can choose the difficulty mission you want. The basic tiles aren't repeatable, but the boss tiles, such as Snaggleshire shown below, can be replayed multiple times.
The combat is perhaps Towerborne's strongest point. With different classes to choose from, various weapons to equip, and upgradable gear, you're always on the lookout for that next piece of equipment to give you the edge in a tough combat situation. The game starts pretty difficult, but once you get some good gear, it falls into the range of challenging but not tough. Different gear can have different traits, and I tried to keep gear equipped that gave me life regen and life stealing, which meant I could stay alive much easier.
As the Sentinel class, one of 4 available to you, you'll have a light and heavy melee attack and the ability to dodge and block with your shield. This was my favorite class to play. With my life-regen/steal build, I could heal between battles, which was invaluable since there was no other way to heal. Taking hits early on in a mission can be a death knell, leaving you vulnerable if stronger enemies emerge later.
You can also hit enemies into the air with certain moves, allowing you to "juggle" them. However, I am no fighting game player and was terrible at this. I found that putting myself in the air, which stops you from being able to dodge, was a death sentence, and I died attempting to juggle. I also discovered that if you get knocked down when a large group of enemies is nearby, you'll get stun-locked into oblivion and die. Fortunately, you do get extra lives to respawn.
Aside from your weapons, you'll be followed by a creature known as an Umbra with special abilities. Your starting Umbra will fire a bolt of energy at an enemy you are facing, which can be a good way to deal that extra bit of damage or help control the crowd, especially if you've just been knocked down. The second Umbra I got was able to deploy a static orb that dealt massive damage to enemies that walked into it.
Enemy AI is what you'd expect from a beat 'em-up. They do their job well enough, and I can't say I noticed them doing anything "stupid."
Towerborne is very much built around its gear system. Not only do you have your character level, but you also have a gear level, showing how good the gear you have equipped is. As you explore the world, missions you take on will have a recommended gear level, which increases the further you are from the Belfry, so you must always be finding or upgrading gear. Gear can also have traits that make building a set that suits your playstyle interesting.
Although Towerborne will launch as a paid game, the aim is to make it Free-To-Play and fund the game via micro-transactions, which are already in the game but are largely just emotes and cosmetics right now. Buying a founders pack gives you access to the game now, while it's in early access, as well as some cosmetics.
I can see Towerborne as a game that, upon its final release, will be intended to be played for 100+ hours, with an ever-increasing amount of content to keep players involved, similar to how Hoyoverse runs games like Genshin Impact. This "live service" game has promised seasonal content and a changing world map.
Visually, the game has a nice art style, mixing an almost anime-like look with 3D elements. It works pretty well, and new equipment does reflect your character's appearance, which is always a nice touch. The game's music is also pleasant, ranging from calm piano music in the lobby and world map to tense battle music when on a mission.
Towerborne has some good potential, and I enjoy the combat and the gear system. I'm just worried about the game that surrounds these two things. It's a little rough around the edges, with strange UI and control decisions for keyboard players, no local map for the Belfry, which can take a little getting used to. The game sometimes tells you to speak to a certain person but does not tell you *where* that person is. The game's content is also repetitive, with environments and enemies staying the same long before you find something new.
But, if you're using a gamepad and you have some friends to bring along with you and a better way to communicate, such as Discord, Towerborne should probably keep you entertained for a while.
Sadly, the game does not boot on the Steam Deck right now and crashes as it attempts to load the main menu. I contacted the developers, who said the game had worked correctly on the Steam Deck, but a recent update had broken compatibility. They couldn't offer a timeframe on when the game might be fixed on the Steam Deck but did say that they want to achieve Steam Deck compatibility.
Strangely, Towerborne has an accessibility button right on the main menu. When you click on it, you get taken to the accessibility menu, which has two options: the font size and the ability to disable the camera shake. It's oddly prominent, considering there isn't any accessibility in the game. The font size was a bit smaller, even on my PC, so I would bump it up a tad.
Towerborne has the potential to be a mainstay title, with an increase in the variety of content, such as different mission types and objectives, perhaps some improvement to the multiplayer communication method, and some polish, such as adding certain missing quality-of-life features.
I did enjoy the game for the first few hours. Still, after playing solo for all that time, I started to wish I had friends to play with me, and I quickly started just trying to beeline progress so I could explore something new rather than taking my time finishing the world map missions. In a group of friends, I imagine the game is more enjoyable for longer, with you and your friends discussing the new loot you got at the end of the mission and trying out different combinations to see what works well together.
You can't fault Towerborne's amount of content, and I just question whether the variety of content is enough to keep players hooked for the amount of time the game wants from you.
Sadly, the game doesn't function at all on the Steam Deck, crashing during the opening sequence of logos, so, at least for now, this is one you'll need to play on another device. I tested it on the ROG Ally, and the game is perfectly playable at 60 FPS with a 15W TDP in lower graphical settings.
Our review is based on the PC version of this game.
If you enjoyed this review, be sure to check out the rest of the content on SteamDeckHQ! We have a wide variety of game reviews and news that are sure to help your gaming experience. Whether you're looking for news, tips and tutorials, game settings and reviews, or just want to stay up-to-date on the latest trends, we've got your back.
